


Part 1: Top 5 Online Stop Motion Makers You Should Try
Stop motion animation how to#
How to make stop motion with Filmora (step-by-step guide) That is why in this article we are going to take you through some of the best online stop motion makers. In fact, you don’t even need desktop-based video editing software, because there are so many different web-based video editing platforms that offer all the tools you need to make a captivating stop motion video.
Stop motion animation movie#
Only a few decades ago this animation technique was used solely by movie industry professionals, but today you no longer have to be a seasoned animator in order to create stop motion video. Now, Kong: Skull Island looks to push Kong effects forward once more.Stop motion videos have been growing in popularity over the course of the last few years because they easily capture a viewer’s attention. The results were certainly a far cry from what had been achieved in 1933, which had also been a game changer for its time. In addition to Kong himself, the powerhouse VFX company orchestrated hordes of creatures, digital jungle environments, and a completely digital New York for the film. The studio has continued to develop its fur system over the years it’s now called “Barbershop.” This they did via a bespoke grooming solution, something that could enable between 30,000 to 40,000 clumps of hair on Kong’s head alone, and also have it collect leaves and mud as he stomped around. One of Weta Digital’s principal challenges, apart from ensuring Serkis’s performance came through in their digital Kong, was implementing a photo-real fur system. In the 2005 film, the advent of motion capture and digital visual effects sufficient enough to create a physically plausible King Kong paved the way for just about all future creature features, especially those involving apes. On the set of 'King Kong' (2005) with director Peter Jackson (left), Naomi Watts and Andy Serkis in a Kong suit. In fact, it would go on to win a Best Visual Effects Academy Award. Still, the 1976 film featured highly impressive visual effects for its time, including a fully realized robotic version of Kong, elaborate miniatures, and even human performers in gorilla suits.

By the time Peter Jackson’s King Kong came around in 2005, Naomi Watts played the chief heroine and had green screen-covered “hand” placed around her, with a digital version inserted later. Life-size hydraulic gorilla arms - with hands measuring six feet across - would wrap around Lange, although a safety stop built into the hydraulics ensured she wasn’t crushed. Perhaps the most successful animatronics were made for the 1976 King Kong, which starred Jeff Bridges, Charles Grodin, and Jessica Lange. On a number of films, full-sized Kong animatronics were constructed, in particular for scenes in which the ape had to grab and hold the heroine. Not all the Kong effects over the years have been made on a small scale, however. Alternately, rear projection was employed, with a screen built into a miniature set, onto which live-action footage was projected frame by frame to match the animation. When live-action actors had to interact with a stop motion Kong, a special method known as the Dunning process was used to combine two pieces of film together at the same time. One including called for part of the frame to be exposed (i.e., with the Kong stop motion animation), and then the film was run through the camera again to expose a different part of it with a different piece of the action. But in the early 20th century, this was done with “in-camera” techniques. Nowadays, this might be achieved by filming the miniatures against a green screen and digitally compositing them into backgrounds shot separately. Miniatures made the important movements of Kong and his adversaries possible, but it was the use of old-school compositing techniques that made it appear as if the models were rampaging in real places and against real people.
